Una furtiva lágrima I (남몰래 흐르는 눈물)
Nicoletta Tomas (1963~ )
스페인 출생으로 27세부터 독학으로 그림을 그려 화가가 된 naive artist
"painting is the best way to discover my own essence, to take the rocks out of my load; to live,
to be alive and to be my own self, definitely."라는 그녀의 고백이
신내림 굿을 받고 무당이 되듯이 " 나는 화가가 될 수 밖에 없는 운명이었다"고 말하는 것 같다
처음엔 로트렉, 드가의 영향을 받았다하고
나중에는 클림트, 에곤 쉴레, 피카소, 고갱등 많은 화가의 화풍을 흡수했다고 고백하는 '솔직한 화가'ㅡ
정규교육을 받지 않은 이런 Naive Artist들의 작품이
관람자의 마음속에 더 깊은 울림을 줄 수 있다....
"I was born in Madrid (Spain) in 1963. I am a self taught painter, and started my artistic career in Valencia (Spain) 1990, using in depth the pastel technique. I concentrated on diferent themes such as indoor motifs, city views and bullfighting scenes. At this time and since 1998 I have given my paintings a new turn, centered on the human body. I am in a constant search for new ways of artistic expresions, both in style and means."
Embrace
후배 S
두번째 그림 embrace는
클림트의 구도와 고갱, 루소의 질감, 피카소의 드로잉의 조합 같은 느낌이 납니다
흑과 백, 가슴과 늘어진 뱃살의 여인을 근육질의 남자가 감싸고 있는 모습은
혹시 '죽음과 소녀'의 패러디인가요
제가 보기엔 연인이라기 보다는
어쩌다 불행 또는 타락의 길에서 돌아온 병든 딸을 보듬어 안은 늙은 아비의 모습 같기도 합니다
왜 그런지 죽음의 그림자가 보이는 것 같아서....
J cash
나도 두번째그림을 보면 클림트, 에곤쉴레, 피카소, 고갱등이 섞여 있는 것 같은데..
그녀는 여기저기서 받아들였다(베꼈다)고 고백하지만
그녀만의 독특한 Aura가 있는 화가같아요
그녀가 긴 여정끝에 도달했다는 Lovers Series는
남자가 대부분 근육질의 흑인...물론 백인도 있고...
나는 연인들로 보이는데...
그림을 보고 어떻게 생각하고 해석하든 그것은 관람자의 자유이지요....
작가 Nicoletta Tomas의 글..
"When I was a child I used to spend almost all my time drawing and painting, but as I grew into adolescence that dedication started to become feint amidst the noise of the world that surrounded me and in the hurry of hurry of my own youth. Painting was consigned to a corner of my indolence, as something that I would pick up again some day. But when I was 27, coinciding with my arrival in Valencia, all of this started to flow.I am self-taught. I have progressed learning step by step, correcting my errors with a lot of intuition and a good dosage of effort...like everyone else, I suppose.
My first great influences were Toulouse Lautrec and Degas. In the beginning my painting was darkness, light and the newness of someone who has not submitted to rules, those were my first canvasses.Little by little I began observing more of the reality of things, and my painting became more and more realistic, based almost always in the old quarter of Valencia, in the decadence of the ancient, the obsession with light... I learned a lot on that part of my journey. I learned technique and patience, I also learned from disgust and the long year of creative emptiness that followed. I had nothing to say and everything seemed to begin again at zero.
There was a road on which I knew only three things: flee from pure realism, concentrate on the human figure and paint from within..invent...and imagine.
Thus the Lovers were born.
I drank from many painters. Klimt, Schiele, Picasso, Gauguin...and from many others...I have taken something of value from each one of them.In many drawings, trying to make my couples accommodate each other, I look for harmony in deformation...Working in acrylics, watercolors, fascinating material because I almost don’t have to think, it is as if being within a medium in which all flows.....Finally, this has been the long road of the Lovers, my last voyage. Now another begins, of which “Waiting for April,” ‘Presence,” “Forgotten,” “Lady Drama,” “To be or Not to Be,” and “Death and the Maiden” form a part...now I want to probe other alleyways of the human soul...I didn’t realize it before, but now I know, that for me painting is the best way to discover my own essence, to take the rocks out of my load; to live, to be alive and to be my own self, definitely. It is fascinating to know that I do not know anything, that every day I learn."
참고
1. http://blog.daum.net/melanie
2. http://www.tuttartpitturasculturapoesiamusica.com/2011/05/nicoletta-tomas-madrid-spain.html
3. http://impressioniartistiche.blogspot.kr/2012/11/nicoletta-tomas-caravia.html#.VIETYJVxnIU
4. http://artodyssey1.blogspot.kr/2009/08/nicoletta-tomas-caravia-i-have-been.html?m=1
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